My Ebooks: September 2012

Sunday, September 30, 2012

[N304.Ebook] Get Free Ebook "The Voice of Egypt": Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century (Chicago Studies in Ethnomusicology), by Vir

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Umm Kulthum, the "voice of Egypt," was the most celebrated musical performer of the century in the Arab world. More than twenty years after her death, her devoted audience, drawn from all strata of Arab society, still numbers in the millions. Thanks to her skillful and pioneering use of mass media, her songs still permeate the international airwaves. In the first English-language biography of Umm Kulthum, Virginia Danielson chronicles the life of a major musical figure and the confluence of artistry, society, and creativity that characterized her remarkable career.

Danielson examines the careful construction of Umm Kulthum's phenomenal popularity and success in a society that discouraged women from public performance. From childhood, her mentors honed her exceptional abilities to accord with Arab and Muslim practice, and as her stature grew, she remained attentive to her audience and the public reception of her work. Ultimately, she created from local precendents and traditions her own unique idiom and developed original song styles from both populist and neo-classical inspirations. These were enthusiastically received, heralded as crowning examples of a new, yet authentically Arab-Egyptian, culture. Danielson shows how Umm Kulthum's music and public personality helped form popular culture and contributed to the broader artistic, societal, and political forces that surrounded her.

This richly descriptive account joins biography with social theory to explore the impact of the individual virtuoso on both music and society at large while telling the compelling story of one of the most famous musicians of all time.

"She is born again every morning in the heart of 120 million beings. In the East a day without Umm Kulthum would have no color."—Omar Sharif

Sales Rank: #930967 in Books
Published on: 1998-01-05
Released on: 1998-01-05
Original language: English
Number of items: 1
Dimensions: 9.00" h x .80" w x 6.00" l, 1.11 pounds
Binding: Paperback
288 pages

From Library Journal
This scholarly analysis of the phenomenon of Egypt's Umm Kulthum, a renowned singer and one of the most famous women in "world music," is an accessible combination of biography, sociology, and musicology. With over 40 years of weekly radio broadcasts and a still-thriving presence on recordings, Kulthum was a major force in Egypt and throughout the Arab world. Keeper of the Isham Memorial Library at Harvard University, Danielson examines the traditional religious musical culture into which Kulthum was born and the popular, cosmopolitan musical culture she affected, consciously and deeply, until her death in 1975. Quotations from interviews, contemporary reviews, and some of Umm Kulthum's own published statements reveal a strong-minded, savvy, talented woman with a prima donna's sense of her public. Recommended for large music libraries.?Bonnie Jo Dopp, Univ. of Maryland Lib., College Park
Copyright 1997 Reed Business Information, Inc.

About the Author
Danielson is Eda Kuhn Loeb Music Librarian at Harvard University.

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9 of 10 people found the following review helpful.
Um Kulthum like we never seen here before!
By kefy-q8ya@mailcity.com
Virginia Danielson had succeeded in presenting Umm Kulthum to us in ways we never anticipated before. She went in depth describing how the Egyptian society in the twentieth century impacted Arabic songs and how Umkulthum fit in all of this. In this book, I learned more about Um Kulthum the person, the wife, the daughter, and the singer. How strong she was and powerful. Reading the book helped me understand more about here music and songs, appreciate more here voice and how she chooses here songs lyrics. This is a should get book.

5 of 5 people found the following review helpful.
An essential book to understanding Egyptian Music
By A Customer
This book is a wonderful reference source for those who wish to understand Middle Eastern Music and what sets it apart. The life of this great singer is well documented and researched.

1 of 1 people found the following review helpful.
Umm Kulthum the business woman
By Kamal Sanjakdar
This book is first and foremost about showbusiness in early 20th century Egypt and the rise of Um Kulthum, a savy business woman who pulled off what is essentially a whole business around her great voice. What texts to choose, what tunes to adopt, what composers to work with, what type of audience to seek, how much to charge for an entry ticket, how to promote a concert, how to cope with the introduction of radio into showbusiness, how to deal with the press, how to weather the criticism of envious competitors, how to separate public and private lives, how to deal with the religious establishment and the government, how to reinvent yourself in light of new musical influences and more are all questions Um Kulthum faced at some point throughout her career. This book explains the context, describes the protagonists and the answers Um Kulthum gave to each of those questions which gives a different angle on her personality: that of a savy business woman.

There is little here about musicology and musical technique per say so if you are looking for academic references on this topic you will be disapointed. If you are a fan of Um Kulthum, you will understand what made her greatness over and above her great voice.

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Ranging from the playful, to the fact-filled, and to the thoughtful, this collection tracks the fortunes of Walt Disney’s flagship character. From the first full-fledged review of his screen debut in November 1928 to the present day, Mickey Mouse has won millions of fans and charmed even the harshest of critics. Almost half of the eighty-one texts in A Mickey Mouse Reader document the Mouse’s rise to glory from that first cartoon, Steamboat Willie, through his seventh year when his first color animation, The Band Concert, was released. They include two important early critiques, one by the American culture critic Gilbert Seldes and one by the famed English novelist E. M. Forster.

Articles and essays chronicle the continued rise of Mickey Mouse to the rank of true icon. He remains arguably the most vivid graphic expression to date of key traits of the American character―pluck, cheerfulness, innocence, energy, and fidelity to family and friends. Among press reports in the book is one from June 1944 that puts to rest the urban legend that “Mickey Mouse” was a password or code word on D-Day. It was, however, the password for a major pre-invasion briefing.

Other items illuminate the origins of “Mickey Mouse” as a term for things deemed petty or unsophisticated. One piece explains how Walt and brother Roy Disney, almost single-handedly, invented the strategy of corporate synergy by tagging sales of Mickey Mouse toys and goods to the release of Mickey’s latest cartoons shorts. In two especially interesting essays, Maurice Sendak and John Updike look back over the years and give their personal reflections on the character they loved as boys growing up in the 1930s.

Sales Rank: #653606 in Books
Published on: 2014-09-30
Original language: English
Number of items: 1
Dimensions: 9.00" h x 5.50" w x 1.25" l, .0 pounds
Binding: Hardcover
417 pages

Review

“This book does a good job curating particularly significant pieces about the Mouse–from such noted writers as John Canemaker, John Culhane, E. M. Forster, John Updike, M. Thomas Inge, Charles Solomon and our own Jim Korkis, among many others.

The highlights for me are reading the older pieces–with such noted authors as Irving Wallace or a screenwriter like Frank S. Nugent discussing the evolution of Mickey Mouse in the 1940s–written at a time when the maturing studio was still in a “golden age.” And there is also some real meat here–Arthur Mann’s 1934 article for Harper’s Magazine on Disney’s finances and distribution is a real find.

Just when you think you’ve read it all, A Mickey Mouse Reader will indeed add to your knowledge of the Disney studio and its most famous creation. This is a good one, and I recommend it.”

―Jerry Beck, Cartoon Research (9/10/14)

“In his introduction to A Mickey Mouse Reader, editor Garry Apgar advises readers to enjoy the book’s segments at random, but I didn't follow his suggestions. I found this much more fascinating to read all the way through.

As someone who rarely lets a quality Disney book or research work go by without devouring it, I found it more fun and interesting to see how the Mickey Mouse phenomenon grew from hot new fad to artistic triumph to passé to dismissible to artistic and important over the decades.

Having read many works that have excerpted selections from many of these essays, it was nice to read them in context, because it really drives home the cultural dynamism of Mickey Mouse and the Disney empire, as well as its effect on those who lived through the various eras. Apgar created a fine assemblage of writings that are a good reference for enthusiasts and perhaps an eye-opener for those who can’t understand all the fuss about Mickey.”

―Greg Ehrbar, Blog Tracks (10/31/14); co-author (with Tim Hollis) of Mouse Tracks: The Story of Walt Disney Records

“My dad referred to Mickey Mouse as ‘a little creature dedicated to the purposes of laughter.’ He also advised us to remember that ‘It all started with a mouse’ . . . the empire that resulted that bears his name. Mickey means different things to different people, and Garry Apgar has compiled a fascinating selection of essays on The Mouse by some very important people. On Mickey’s behalf, I am very impressed.”

―Diane Disney Miller (1933–2013) was president of the Walt Disney Family Foundation and co-founder of The Walt Disney Family Museum

“A Mickey Mouse Reader is a book that commands attention for many reasons, but not least because it is a continually surprising pleasure to read. There is in the book much that is worth reading for its own sake, and not just as a record of how critical and public sentiment have changed in the more than three-quarters of a century since Mickey’s debut. Apgar’s own commentary gives the book a reassuring “spine” of informed judgment; that is, his authorial persona―especially his sophistication as a scholar in the visual arts―encourages the reader to accept his choices of what to include in the book. He has taken seriously the job of choosing the contents and as a result has come up with many fascinating items, including some originally published in other languages, that a less industrious compiler would have missed.”

―Michael Barrier, author of The Animated Man: A Life of Walt Disney

“A Mickey Mouse Reader is a seminal book which will delight both casual Mickey Mouse enthusiasts and Disney history scholars. Thanks to Garry Apgar, no serious research about Mickey will ever be undertaken from this day forward without first absorbing the fascinating content of this delightful book.”

―Didier Ghez, author of Disney’s Grand Tour and editor of the Walt’s People book series

About the Author
Garry Apgar, Bridgeport, Connecticut, is an art historian and former cartoonist and journalist. He is the author of Mickey Mouse: Emblem of the American Spirit and coauthor of The Newspaper in Art.

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3 of 4 people found the following review helpful.
Entertaining, Enlightening Insights into a Cultural Icon and Economic Powerhouse
By S. O. Higgins
Mickey Mouse celebrated his 86th birthday in November 2014. His image is now found more often on merchandise than on movie and television screens, but his greatest performances continue to entertain us. Moreover, Mickey and the company built around him continue to influence world culture in ways that were inconceivable when he first attained public awareness in 1928’s “Steamboat Willie,” the first animated sound film.
For readers who, like me, first became aware of Mickey Mouse a few years after he made his final appearance as a lead “actor” on the big screen in 1953, Garry Apgar’s astutely chosen collection of news articles and essays on Mickey’s astonishing career is enlightening, comprehensive and thought-provoking. It is also fun to read.
Apgar’s selections cover Mickey’s role in advancing film technology and the quality of animated film, raising Depression-era spirits, saving bankrupt companies (toy train-maker Lionel and watchmaker Waterbury/Ingersoll), beating the Nazis, and building the hugely successful multimedia, real estate, and merchandising powerhouse that is The Walt Disney Company.
Much of the information in “A Mickey Mouse Reader “ will be of special interest to Baby Boomers who as children were proud members of the televised Mickey Mouse Club of the 1950s, but who later became bored or disillusioned by The Mouse. For them, Mickey--whose image was emblazoned on planes and combat vehicles during World War II as a symbol of American Idealism — became their special friend (“Why? Because we — i.e., Mickey and his Mouseketeer friends — like you!”). However, as they grew up and faced the issues rocking the country in the 1960s and 1970s, Mickey became for many a representative of commerce gone wild and a spokesman for cultural imperialism. Apgar’s collection clearly shows that, whatever Mickey has been (or not) over the years, representatives of varying political viewpoints, both in America and elsewhere, have attempted to co-opt The Mouse for their own purposes.
If, of course, you have no interest in cinema, no interest in animation, no interest in the nature of entrepreneurship, or in the making of cultural icons, you’ll find little of interest here. Likewise, if you are incurious as to the roles Mickey Mouse has played as a favorite of royalty, as a D-Day-related code word, and a persona of interest to writers as varied as Anna Quindlen, Walter Benjamin, Irving Wallace, E. M. Forster, James Michener, John Updike, artists Diego Rivera and Maurice Sendak, scientist Stephen J. Gould and Admiral Elmo R. Zumwalt … well, this book is not for you.
For those, however, who have some of these interests, “A Mickey Mouse Reader” is a surprisingly informative book, well worth the time spent with it. The volume clearly demonstrates that one cannot be dismissive of The Mouse as a cultural signifier; and, Mickey must be reckoned with as the wellspring of the Disney company’s economic savvy, its creative processes, and its zealous protection of its intellectual property.
The book would benefit from having illustrations but it is, after all, a “reader,” not an art book. (Ideally, Apgar’s forthcoming volume dealing with Mickey as an American icon will provide appropriate balance, showing interpretations of Mickey by major visual artists). The book’s intellectual authority is aided by a comprehensive bibliography, capsule biographies of the essays’ authors, and the inclusion of both translations and reprints of essays originally published in German, French and Spanish.
Apgar has organized his selections chronologically, which enables his readers to discover for themselves the evolution of the Mickey (and Disney) story. Every article is reprinted in its entirety, resulting in the inclusion of passages that may strike some readers as repetitive. However, readers aware of how the sausage of media news is made, will find this “repetition” revealing: It demonstrates the degree to which reporters and essayists writing in the same timeframe drew upon skillfully managed interviews and “background kits” that were legitimately, but most certainly, orchestrated and provided by Disney publicists. The use of original articles in their entirety also tacitly demonstrates the way legends are built, myths created and errors perpetuated (or, less often, revised and corrected) as one generation of writers draws upon work from a preceding one.
Several articles in the anthology — notably those by Arthur Mann, Frank Nugent and L. H. Robbins deal in whole or part with the economic clout of The Mouse. (Walt Disney himself often referred to Mickey as The Mouse). The Disney Studio, particularly in its early days (it existed before Mickey, but it was Mickey that launched it as an entertainment powerhouse in 1928), derived more income from merchandising of Mickey products than from his films. (As “Mickey marketing” declined, those revenues were bolstered by licensing and sales of other Disney character images: Donald Duck, Goofy, Pluto, and major characters like those in the recent Disney blockbuster, “Frozen”). Frank Nugent writing in 1947, notes that Disney’s total revenue (much of it from merchandising and licensing of characters, mostly from Mickey), totaled about $100 million annually at the time, or about $1.65 billion in 2014 money. Of course, this was before Disney expanded into theme parks, cable, broadcast, live-action cinema and its many contemporary operations, which will give it estimated 2014 revenues in the $84-85 billion range. Today, it employs some 180,000 people worldwide, compared to about 650 when, at age 5, Mickey’s economic muscle first began to attract notice.
The University of Mississippi Press, which has established a strong presence as publisher of books on cartooning and animation, has further strengthened its reputation with the publication of this handsomely designed, built-to-last volume that makes a significant contribution to the field.
By way of disclaimer, I am an acquaintance of the editor (who also wrote the book’s introduction and included reprints of two of his own previously published articles). I did, however, purchase my copy (two, in fact) of this book from amazon.com. I have no connection with the publishing house, nor with The Walt Disney Company.

1 of 1 people found the following review helpful.
A book about the Mouse, not the Man
By RuthSophia
I really enjoyed learning a lot about the Mouse thanks to this volume. A truly fascinating history. Unfortunately, many people tend to rehash the things that are already known, as a result, after the first section or two, much of what is said about Mickey feels like a repeat until you get to the last section. If you want to skip over the middle sections of the book I don't think you'd miss much because the important parts of the middle sections are quoted in the last section.

At first I was disappointed that we did hear more about Walt in relation to Snow White or his other creations, but I reminded myself that this is a reader about the Mouse. Other commentary on those would be better and more appropriately served in another volume.

The reason I prefer the first couple and the last sections are because we get the initial critical reaction, as well as a look on how Mickey matured in those first several years, and then we get a relook at Mickey's career, including some new information that had been withheld in earlier articles. Some of the articles get very lengthy and tedious, but most are interesting, and many are short and sweet.

Even though I feel the middle sections are largely repeated information, overall the content of this book and it's wide appeal still make it recommended material with 4 stars.

I received a complimentary ebook in exchange for my honest review.

2 of 3 people found the following review helpful.
Defining the Mouse
By M. Sonntag
Mickey Mouse was born in 1928 out of economic desperation and went on to far exceeded the humble dreams of his creator Walt Disney. Mickey put Walt on the map and allowed him to fulfill his potential has a creative and entrepreneurial genius.

Mickey is more than a cartoon star, he's a cultural icon who remains the corporate identity of the studio he made famous. Although there were Disney cartoons before Mickey, Walt was certainly on the mark when he said "It all started with a mouse." Quite frankly, with Mickey's success it did.

But what made Mickey so special? What's his story? What is the appeal? Writers since day one have asked that question, Walt himself often seemed to struggle to define his greatest breakthrough. Garry Apgar opens up the vault as it were, on the discussion.

In A MICKEY MOUSE READER you will hear from Walt Disney himself to contemporary journalists, artists and historians about Mickey's appeal, his history and his future. You will journey through time and very literally witness the cultural evolution of the greatest cartoon star of all time. It's an entertaining journey, one to savor.

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Monday, September 24, 2012

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Sales Rank: #2920310 in Books
Published on: 1966
Format: Import
Number of items: 1
Binding: Hardcover
340 pages

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From 9/11 to the launch of the iPod, from the creation of "Gmail: to the 2004 tsunami, from the Enron Bankruptcy to the killing of Osama bin Laden, 10 Years That Shook the World is the story of an extraordinary decade. For each year, Loretta Napoleoni presents events not as a chronology bus as dispatches from the world's collective memory. Topics like politics, economics, celebrities, and the environment intersect and converge to reveal the accelerating pace of globalization and the changes that have affected us all.

Sales Rank: #1759754 in Books
Brand: Napoleoni, Loretta
Published on: 2012-02-14
Released on: 2012-02-14
Original language: English
Number of items: 1
Dimensions: 6.99" h x .52" w x 4.99" l, .30 pounds
Binding: Paperback
192 pages

About the Author

A woman of the Left who garners praise from Noam Chomsky and Greg Palast at the same time as she is quoted respectfully in Forbes and the Wall Street Journal, LORETTA NAPOLEONI was born in 1955 in Rome. In the mid 1970s she became an active member of the feminist movement in Italy, and later studied as a Fulbright Scholar at Johns Hopkins University’s Paul H. Nitze School of Advanced International Studies in Washington, D.C. She began her career as an economist, and went on to work as London correspondent and columnist for La Stampa, La Repubblica and La Paîs. Napoleoni is the author of the international bestsellers Rogue Economics: Capitalism’s New Reality and Terror Incorporated: Tracing the Money Behind Global Terrorism. She has served as the Chairman of the countering terrorism financing group for the Club de Madrid, and lectures regularly around the world on economics, money laundering and terrorism. Napoleoni lives in London and Montana.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Puts Everything into Perspective
By E. Chang
Excellent book detailing 2001-2011 in "tweet-like" entries, totally 167 pages. Kind of like a very, very detailed timeline of the Earth and it's geopolitical/cultural events. I read the front page of the major papers every day but today's page 10 news sometimes in hindsight has page 1 reverberations so I actually learned quite alot about what has happened in the past decade. The other great thing about this book is that it covers the entire world - so while reading it you get a real sense of the world as a SINGLE entity. You see small infections take on cancerous proportions in later years, you see small local teams become major league players - all in very readable and easy to digest text. Highly recommended.

0 of 0 people found the following review helpful.
An interesting timeline
By wogan
If you want a general timeline of what has gone on in the world in the last 10 years - this is it.
Each year, starting with 2001, has an introductory page listing such information as the GDP of the world, the U.S., Japan and Germany, world population, natural disasters, Time magazine person of the year, Nobel Peace Prize winners. There is a short summing up introduction, and then several pages of incidents that happened during the year.

These pages listing the events are where the book falls short, they are not in chronological order and many do not have dates, even a month. So, what this book does is give you an idea of what happened in the year, but it would make so much more sense to have the facts in chronological order, instead of the jumbled listing of happenings.

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Tuesday, September 11, 2012

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Nearly five billion years ago, Earth and Mars were born together as planetary siblings orbiting a young, emerging Sun. Yet today, one planet is water rich and life bearing, while the other is seemingly cold, dry, and forbidding.

Earth and Mars is a fusion of art and science, a blend of images and essays celebrating the successful creation of our life-sustaining planet and the beauty and mystery of Mars. Through images of terrestrial landscapes and photographs selected from recent NASA and European Space Agency missions to Mars, Earth and Mars reveals the profound beauty resulting from the action of volcanism, wind, and water. The accompanying text provides a context for appreciating the role of these elemental forces in shaping the surfaces of each planet, as well as the divergent evolutionary paths that led to an Earth that is teeming with life, and Mars that is seemingly lifeless.

Earth and Mars inspires reflection on the extraordinarily delicate balance of forces that has resulted in our good fortune: to be alive and sentient on a bountiful blue world.

Sales Rank: #2550638 in Books
Published on: 2015-10-22
Original language: English
Number of items: 1
Dimensions: 9.00" h x .60" w x 9.00" l, .0 pounds
Binding: Paperback
184 pages

About the Author
Stephen E. Strom received his PhD in astronomy from Harvard University in 1964. He has held appointments at Harvard, the Smithsonian Astrophysical Observatory, Kitt Peak National Observatory in Tucson, and the University of Massachusetts. He has served as associate director for science at the National Optical Astronomy Observatory in Tucson for nine years, retiring in 2007. His photography complements poems and essays in three books published by University of Arizona Press. Strom’s photographic work has been exhibited widely in the United States and internationally, and is held in several permanent collections, including those at the Center for Creative Photography in Tucson and at the Museum of Fine Arts in Boston.

Bradford A. Smith has served as a professor of planetary sciences and astronomy at the University of Arizona, a research astronomer at the Institute for Astronomy at the University of Hawai‘i at Manoa, and visiting associate professor in the Division of Geological and Planetary Sciences at the California Institute of Technology. He has participated in a number of American and international space missions, including Mars Mariners 6, 7, and 10; Mars Viking; the Soviet Vega mission to Comet Halley; the Soviet Phobos mission to Mars; and the Wide Field/Planetary Camera team for the Hubble Space Telescope.

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0 of 0 people found the following review helpful.
Incredible pictures and illustrations.
By D. Covington
Curious eBook as I can't make bookmarks. Very good pictures and many of the Earth/Mars picture pairs are very thought provoking. The book is divided into four sections; Earth, Fire, Air and Water. There are scattered groupings of explanatory text but it's more about what the pictures make you feel than enything. The pair at about location 66 of 183 I swear I can hear water rippling. Amazing pictures and easy to read text. Worth every penny!

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Published on: 2008-06-01
Original language: English
Binding: Paperback
94 pages

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Sales Rank: #6139103 in Books
Published on: 2012
Number of items: 1
Binding: Paperback

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Sales Rank: #3122692 in Books
Published on: 1999
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Sales Rank: #4571260 in Books
Published on: 2010
Binding: Cards

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